Forge Valley Optical - Downtown Spectacle Shop Banner
Forge Valley Optical - Downtown Spectacle Shop Banner
Forge Valley Optical - Downtown Spectacle Shop Banner
Forge Valley Optical - Downtown Spectacle Shop Banner

Making things transparent is our business

Frequenty asked questions

In the event of medical distress, your local emergency room will have qualified optometric or opthalmic practitioners on call. 
Please note that each business has their own policies and procedures, which may differ from our practices.

We are not licensed to provide medical advice, though our licensing often overlaps with medical topics.

Imperial Standard (in feet)
20/10: A patient standing 20 feet from an object sees it as clearly as an average person standing 10 feet from the object. Great vision.

20/20: A patient standing 20 feet from an object sees it as clearly as an average person standing 20 feet from the object. Good vision.

20/50: A patient standing 20 feet from an object sees it as clearly as an average person standing 50 feet from the object. Reduced vision.

20/70: A patient standing 20 feet from an object sees it as clearly as an average person standing 70 feet from the object. Illegal to drive in BC.

20/200: A patient standing 20 feet from an object sees it as clearly as an average person standing 200 feet from the object. Legally Blind.

 

Metric Standard (in Meters)

6/3: A patient standing 6 meters from an object sees it as clearly as an average person standing 3 meters from the object. Great vision.

6/6: A patient standing 6 meters from an object sees it as clearly as an average person standing 6 meters from the object. Good vision.

6/12: A patient standing 6 meters from an object sees it as clearly as an average person standing 12 meters from the object. Reduced vision.

6/18: A patient standing 6 meters from an object sees it as clearly as an average person standing 18 meters from the object. Illegal to drive in BC. 

6/60: A patient standing 6 meters from an object sees it as clearly as an average person standing 60 meters from the object. Legally blind.

OD: Oculus Dexter / Right Eye

OS: Oculus Sinister / Left Eye

OU: Oculus Uterque / Both Eyes

NV: Near Vision

DV: Distance Vision

PD: Pupilary Distance

SPH: Sphere; the 'main' power in your lens

CYL: Cylinder, adjusts the 'main' power slightly to account for image stretching in one direction

AXIS: The reference angle used for the Cylinder correction

ADD: Additional magifying power required, beyond your distance prescription, to read

PRISM: Amount of vertical or horizontal image required (at a distance of 1m) to prevent double vision

BAL: Balance Lens; prescribed primarily when a patient has no sight left in one eye.  

20/20: See section "Understanding Visual Acuities"

6/6: See section "Understanding Visual Acuities"

Balance lenses are a bit of a tricky conversation in the industry; there is often some discrepancy on when they are prescribed, and how they are ordered. From a lab's perspective, a Balance lens is prescribed when a patient has no sight remaining in one eye, which signifies that the Optician may place any lens power in that side of the frame to cosmetically and functionally seek symmetry of the frame and facial features (making a mirror-image of the other eye's prescription often being the best default option). Historically, glass lenses made the weight aspect of this a priority, while modern (plastic) lenses weigh little enough to have much less impact. When a patient still uses that eye for navigating/balance/equilibrium however, the wearer's mobility can be compromised if the lens selected by the lab/dispensary acts in contradiction to good coordination (binocular vision) for the eye with limited vision. If you receive a prescription with 'BAL' prescribed, and would be uncomfortable with the possibility of effectively covering that eye while wearing glasses, it may be prudent to ask whether any specific lens strength in that eye would positively or negatively impact your coordination.

Unaided: No vision correction needed.

Accomodation: The eye's natural ability to increase its own focusing power in order to see objects close up. This decreases as we age, resulting in a need for an alternative means of magnification.

Single Vision: Lenses designed to improve vision clarity at one viewing distance (distance, intermediate, or near). Accomodation may allow for clear viewing at closer ranges.

Multifocal: Any lens design that seeks to improve vision clarity at more than one viewing distance.

Bifocals: Vision correction for two viewing distances (typically distance and near) combined into one lens design. Options include a standard lined bifocal, or a round segment bifocal.

Trifocal: Vision correction for three viewing distances (distance, intermediate, and near) combined into one lens design. Two lines per lens, rather than one. No round segment options available.

Occupational Multifocal: Lens design similar to a bifocal, but with an additional segment above the eye. Used by mechanics, who need to see close objects above their head, and similar roles.

Anti-fatigue: Essentially an introductory progressive lens. These differ in that their intention is typically to reduce eye strain resulting from over-use, rather than correct for reduced accomodation.

Office/Computer: Similar to a progressive, but with an intermediate viewing distance being the priority viewing distance. Not for use while driving.

Progressive: A smooth blend from distance correction (set in front of your eye) down to a near correction at a typical reading angle, with intermediate powers located in between. Most effective general-use lens design. Different lens brands and prescription powers demonstrate diverse amounts of distortion in the peripheral of the lens, which takes new wearers time to adjust to. 

Progressive lenses typically start to be helpful between the ages of 40 and 50. Many doctors are recommending 'Anti Fatigue' lenses at earlier ages, for individuals whose workday relies heavily on their near vision, to relieve eye strain. Adaptation to progressive lenses varies from one person to the next, but the general trends are that younger individuals have an easier time adapting to them, and younger eyes need less reading adjustment to adapt to. The counterpoint is cost; progressive lenses are more expensive than standard Single Vision lenses. The benefit, typically, is that you can do more with one set of progressive lenses than with 2-3 pairs of single vision lenses. The downside is that once you're adapted to wearing a form of progressive (or anti-fatigue) lens, you'll typically miss the extra reading power, if you try to change back. While we are not against putting progressives off for a few years, there can be considerable frustration for individuals who have waited 'too long', and are now attempting to adjust to much more significant changes in their vision, on top of pre-existing balance or posture problems.

This is a story I hear far too often. A customer receives their new pair of eyeglasses, only to find that they are experiencing immediate difficulties with their vision. To some degree, yes, there is always an adjustment period. Younger eyes tend to adapt more quickly than older eyes, and large changes are tougher to adapt to than small ones. If the change is affecting your balance, posture, or how much you have to tip your chin to read, there is a likelihood that an adaptation period is prudent. However, if your vision is blurred or doubled, there is a much greater likelihood that a manufacturing or prescription change may be required. Generally speaking, a properly fitted frame dramatically decreases any balance or posture issues you might experience. Any time spent adjusting to new glasses, if necessary, should be done in a safe and largely stationary setting; please use your old glasses to drive if your new ones seem to be compromising your vision. Remember that your place of purchase will generally provide prescription and lens changes to correct this issue at no charge, if addressed within a reasonable time frame.

There is a possibility that the progressive/multifocal/office you are wearing is positioned too high or too low, or that the nosepads/general fit needs to be adjusted. That said, each part of these lenses is designed for a different viewing distance. It may be that the object you are trying to view is too close or too far, at the angle you are viewing it. If you can measure this exact distance, and the height of the object relative to you, it can provide critical information to your Optician, when they are troubleshooting this issue. It is possible that they may remake your lenses, but as this problem is very much a case-by-case issue, adjustment and viewing distance are typically considered first.

It's a good question, but requires a lot of information to process with any amount of meaningful accuracy. Lens thickness changes exponentially as you move away from the center, and frame size and shape will impact the final measurements significantly. Ideally, frame selection and lens design should seek to mitigate thickness at key areas where the lenses may otherwise rub (against your cheeks and eyebrows, typically) but mitigating overall thickness has meaningful impact on image size (and therefore blindspot size) and weight as well. If lens thickness and weight matter to you, you don't have to settle for a guess. Our shop has access to a program designed to calculate these figures, as do many others.

The threshold of impact resistance of polycarbonate is impressive, however it is not without its downsides. Polycarbonate is softer, and so scratches easily and is more likely to crack under continuous pressure. Its thermal properties cause a dramatically increased chance of the coatings crazing (rippling), and its light-transmitting properties are less optimized than standard plastic, resulting in what we call "chromatic aberration"; the splitting of a light source into its component colours, most noteably in higher prescriptions and at the edge of the lens. Further, if you are ordering a polycarbonate lens for a thin form profile, or non-safety rated frame, this largely undermines the point and purpose of its safety properties. A standard plastic lens will deflect the majority of real-world hazards, outside of a worksite, sporting event, or gun range, the vast majority of the time.

Most digital devices include a setting that can reduce blue light, rendering this lens coating limited in practicality. Presenting blue light as a new and uniquely harmful side effect of digital technology is discourtesy to patients, given any amount of time in natural sunlight will expose you to far more of it . Most blue light filters have the drawback of turning the world slightly yellow for the viewer. Additionally, blue light filters typically suffer from bright blue reflections off the lens surface, making it harder to see the wearer's eyes (or drive at night with those new LED headlights in your mirror). While lenses sold with blue light filters do include ultra violet protection, most are not compatible with photogrey technology, so light sensitivity outdoors can become a greater concern. All that said, if you're working for 8 hours a days at a screen and are looking for a computer-dedicated pair of glasses, then this might be the product for you.

Every lens material has its small benefits and drawbacks, but glass as a lens material hasn't aged well. Scratch resistant coatings on plastic lenses have improved to a level that renders glass as only a minor upgrade. Meanwhile, glass is almost twice the weight of standard lens plastic, which can lead to headaches, and sores on a wearer's nose or behind the ears. The few remaining glass-lens wearers we see have been wearing them for over a decade, but have not updated their prescription in that timeframe, which typically limits their vision. Add to this the risk of getting a shard of glass in your eye if they're hit by something, and most people are happy with a pair of plastic lenses that are more comfortable, safer, and have better options and availability.

Photochromic lenses (one popular brand name being "Transitions") are typically affected by two things: Light exposure (often U.V. light, specifically) and temperature. At sun-up and sun-down, light intensity is filtered through more of our atmosphere, and self-darkening lenses tend not to function at their maximum amount. Cloudy days, car interiors, and just being out of the direct sun can also impact this. To further complicate matters, hotter temperatures encourage photochromic lenses to return to clear, faster, while colder temperatures slow down the process, leaving them dark well after you've gone inside. Please avoid temperature-shocking your lenses by attempting to impact this, as it may ruin the coatings and void your warranty. Photochromic lenses work very well for reducing outdoor brightness with less cost or planning than a dedicated pair of sunglasses, and work well for most users, provided they understand these points and are making an informed purchase. We would advise against using photochromic lenses in areas of extreme heat; please consider some dedicated sunglasses.

While most brands of photochromic do take on a slight amount of colour over time (brown photochromics typically yellow more than grey), certain brands of photochromic are markedly better at retaining their clarity than others. If your lenses are within warranty, we would advise you to return to your place of purchase; they may replace them for you if the colouration is not subtle. Lab note: It is not impossible that an ordered set of good-quality photochromic lenses may be mistakenly substituted with an older or off-brand lens blank, accelerating this issue. Sadly, product testing for this is not something the industry has adequte tools for, but your place of purchase will likely correct the issue for you regardless. 

The yellow tone (and colour mismatch) in the image below is not normal, and should absolutely be remade if the lenses are within warranty. 

We recommend returning to where you bought your lenses, if they are under warranty. There is a possibility that the lenses were manufactured too large, too small, or with the wrong curve for the frame. Your place of purchase would typically seek to correct these issues before you receive your eyeglasses, but any missed issues should be addressed within the warranty period. A correctly fit lens can shift slightly within the frame, but should not rattle or rotate on its own. An oversized lens will often bulge out of the frame at the top and bottom, or a screw barrel in the frame may not be closed entirely. This latter will also often lead to cracked or chipped lenses. 

Stories and history

art & eyeglasses - its in the details

It takes incredible addention to detail to make a great pair of eyeglasses. The same is true for many forms of Art; be it painting, music or sculpture. 

 

The decorations in our store are predominantly custom-made dioramas, painstakingly crafted by our very own Gerry Brunelle. Come in and take a look, talk to Gerry, and consider commissioning your very own piece of Eden. 

Christmas Village Display

"Setting up a Christmas display in his storefront window is a labour of love Gerry Brunelle starts every year right after Remembrance Day. And every year he adds a little something."

-Tracey Prediger, Miniature Carnival Tribute

One of many masterpieces of our resident artist, musician, and optician; Gerry's Christmas Village encorporates every shop on main street, several 'search and finds', many custom pieces, and perhaps even an easter egg or two. 

"The idea of the whole thing is to bring a smile to two faces. One is mine, and the other is whoever goes by."

-Gerry Brunelle

Forge Valley / Priest Valley / Vernon

"Vernon was at one time (c.1877) known as Forge Valley because of Ellison’s blacksmith shop.  Later it would become known as Priest’s Valley due to the presence of the Oblate Missionaries.

Up to this point the area now known as Vernon had gone by three previous names (Nintle-Moos-Chin, Forge Valley and Priest’s Valley)." 

 

-Joseph Harder, History of Vernon

Gerry's Downtowne Spectacle Shoppe

Gerry Brunelle bought his business twenty years ago from Christine Wejr, but has been the heart and soul of free eyeglass repairs and the friendliest of service in the Vernon community for much longer. Now, ownership of the store has transferred again, to Nicholas Rudersdorfer. While Gerry's planning to keep working at the shop for the forseable future, he's keen on having a bit more free time to play music, make art, and enjoy life. 

"I've been told I'm not allowed to retire, so this is the perfect answer! Nic gets to run the business, while I get to continue playing; doing repairs, making things, and helping people."

"He's another repair man, just like me."
 

Both Opticians want to assure their customers that the free repairs, great service, frame selection, and affordable pricing they've come to expect at Gerry's are not going anywhere. 

Downtowne Spectacle Shoppe

Downtowne Spectacle Shoppe began life in 2000, as an award-winning startup created by Christine Wejr (then Christine Kinakin), with a focus on "old-fashioned, personalized service". 
    -Leanne Ritchie, Vernon Morning Star


Christine's store would receive and be nominated for multiple awards, including, but not limited to: 
 

Top Emerging Business In Western Canada
    - Panwest Women's Enterprise Initiative Awards

Grand Go Getter Award 2001

 

Business Plan Contest 2004
    - Small Business BC